Next Phase of Gender in Choreography and some thoughts

For the most part Chalk Boundaries rehearsals are over. There may be some involvement in the female cast, but I'm not sure how this will all work out. I posted some clips from a rehearsal with the guys.

Today I found Chafin's solo on tape - I start rehearsing this week. I'm excited about it, but a little a nervous at the same time. I'm slightly afraid of embarrassing myself. Luckily I feel like my knees are getting better and other aches are subsiding. Onward!

Friday night's performance by the Merce Cunningham Dance Company was an eye opener. I appreciated the program's variety - 1960's Crises and 2003's Split Sides. They were so different to me. David slept through about 80% of Crises, but absolutely loved Split Sides. David was really curious about what were distinguishing Cunningham movements - how could I tell it was Cunningham work? We both talked about the shifts in direction, the balances on one leg, the awkward jumps and hops, the "kicking" (as David put it), the placement of the arms. I used to think of Cunningham's work as mostly technical. This is the second time I have seen Cunningham's work in person and this time I sat a lot closer and was blown away by the individual dancers. This time I saw their faces. In fact, a couple of times it looked like some of them were smiling - as if they enjoyed what they were doing! I found it delightful and was happy to see them as individuals. Split Sides also offered an easier way in for David and I. The music was Radiohead and Sigor Ros and I think that helped. Plus there was so much going on all the time - the cast was much larger. The chance operation was intriguing.

From all this inquiry about Cunningham's particular style, David wondered how people would know that my choreography was mine. I turned it back to him to answer and his response was, "Someone's getting pushed." What about my solos? "You move as if someone has pushed you."

I couldn't help but laugh.